DANCE History Tour
Brygida Ochaim / Thomas BetzFriday, May 17, 2019, 4 p.m., € 15 / red. € 10, TICKETS Saturday, May 18, 2019, 11 a.m., € 15 / red. € 10, TICKETS Sunday, May 19, 2019, 11 a.m., € 15 / red. € 10, TICKETS Tuesday, May 21, 2019, 4 p.m., € 15 / red. € 10, TICKETS Wednesday, May 22, 2019, 4 p.m., € 15 / red. € 10, TICKETS Thursday, May 23, 2019, 4 p.m., € 15 / red. € 10, TICKETS Friday, May 24, 2019, 4 p.m., € 15 / red. € 10, TICKETS Saturday, May 25, 2019, 11 a.m., € 15 / red. € 10, TICKETS Sunday, May 26, 2019, 11 a.m., € 15 / red. € 10, TICKETS Venue: Meeting point Künstlerhaus at Lenbachplatz
Running time: approx. 2,5 hours
Talk with Brygida Ochaim and Thomas Betz at the Symposium on May 18th
Munich was luminous, wrote Thomas Mann in Gladius Dei, published in 1903. What is not so well-known is at that time Munich was dancing too. Munich was a city for the new, free style of dancing; it was the cradle of this avant-garde art form. The artist Franz Stuck had Isadora Duncan dance for him in his villa, and photographed his daughter as a serpentine dancer. Protagonists such as Sent M’ahesa; Clotilde von Derp; Alexander Sacharoff; Rudolf von Laban; and Mary Wigman had their debuts in Munich already before 1914. Significant publications concerning this new dance form were published here; Hans Brandenburg, the chronicler of new art, lived and worked in Munich. The choreographer and dance historian Brygida Ochaim and the editor of Münchner Feuilleton Thomas Betz have put together a tour that takes one via bicycle to the important locations for rediscovering this part of Munich's history. From Künstlerhaus am Lenbachplatz to Palais Schrenck-Notzing to Villa Stuck.
For more information, go to: www.dance-muenchen.de
A bicycle circuit to venues connected to Munich's dance history in the early modern art period – it's a new format for the DANCE festival. It takes the concept of an archive of movement literally and will become for the participants a special experience involving public urban spaces. The route takes them to venues such as, for example, Künstlerhaus, where Isadora Duncan and many others performed. The Munich artist Rita Sacchetto had her debut here in 1905 and so did Sent M’ahesa (who originally came from Riga, Latvia) with her ancient Egyptian dances in 1909. The career of the first female expressive dancer, Clotilde von Derp from the Munich quarter called Schwabing, began in 1910. That same year saw the start of the career of Alexander Sacharoff, the first modern male dancer, whose famous portrait by Alexej Jawlensky from the year 1909 is on display at the museum Städtische Galerie im Lenbachhaus. In 1913 Derp and Sacharoff formed the first modern dance twosome. Rudolf von Laban was the director of his first dance school in Munich, with the motto "dance, sound, word." His assistant Mary Wigman had her debut as a dancer at Palais Porcia on Kardinal-Faulhaber-Strasse in Munich.
And so it will become apparent that Munich was one of the important birthplaces of the free dance movement at the beginning of the 20th century and played an important role in the history of dance until the First World War broke out. The focus is on important events, performances, encounters with artists and writers, and spectacular performances that were celebrated or censored – all of this is supplemented by anecdotes and cultural and historical contextualization. Discover with us an exciting chapter in the history of dance.
The tour will be in German and English and conducted by students from the Theater Institute of LMU Munich.